New York Times

Springer Nature, one of the world’s largest academic publishers, was the latest company to acknowledge acquiescing to Chinese demands to limit free speech.

The authorities were quick to brand the Manhattan bike path attack terrorism. But the term has become about much more than just defining an attack.

My kids learned to ride their bikes on the same path that became Tuesday’s scene of carnage.

The admissions process is a maddening mishmash of competing objectives, and an attempt to measure the unmeasurable: you. No, it isn’t fair, and likely never will be.

To understand Vladimir Putin’s behavior, we have to actually understand his foreign policy.

Isaacson’s latest biography of a celebrated visionary captures the perfectionist, misser of deadlines and remarkably prescient genius.

A former high-ranking editor at The New York Times is the latest major media figure to face professional consequences over allegations of sexual misbehavior involving women he knew through his work.

Digital advertising and online subscriptions helped offset continued declines in print advertising in the third quarter. Total revenue increased 6 percent, to $386 million.

A species of nudibranch was found to engage in what researchers call kleptopredation — “steal your meal and eat you, too.”

Our government belongs to us, so let’s start acting like it.

A fashion philosophy informed by a childhood spent on horses.

Known for brassy musicals like “Dirty Rotten Scoundrels,” David Yazbek is also a dark solo act. Now, with “The Band’s Visit,” his different personas come together.

That would be John Binder, whose acid-tongued commentary covers the runways and the beltway.

The British pop singer, who has a new album, tried to come out on his own terms. But now he’s listening.

You can ignore it if you wish, but you cannot outrun it.

In addition to his gig on “The Tonight Show With Jimmy Fallon,” the hip-hop innovator stars in “The Deuce” and has a new sneaker collection.

Ramel Paredes, who has autism, is passionate about New York’s subways. He’s working to curb his pessimism and foster deeper personal connections.

In works like “School Girls; or, the African Mean Girls Play,” Jocelyn Bioh aims to tell stories that buck expectation and defy stereotype.

A film critic and a music critic discuss a new work at the Metropolitan Opera: Thomas Adès’s “crazily varied” adaptation of Luis Buñuel’s 1962 film.

In fact, on economic policy, America is a center-left nation.